Unfolding the studio: a design anthropology of material emergence

Michael Anusas

Research output: Contribution to conferenceAbstract

Abstract

This paper explores how forms of material culture arise from the design studio - a situational context informed by an art school pedagogy and sense of space. The paper draws on participant observation of product design practice in education and commerce and anthropological theory and technique. Of particular concern is how studios disrupt conventional notions of design as a step-by-step linear process focused on assemblage and the formation of material culture as object. Rather, the space of the studio and the activity of skilled practitioners therein, tends to reveal design as a non-linear practice where conventional chronologies of process become challenged. Further, techniques of unmaking and disassemblage appear as critically important. Such techniques unearth material complexities, provoke social dialogue and stimulate a type of development that evokes its 17th century French origin développer meaning to ‘unfold’ or ‘unfurl’. In this disruptive space, where material things are continually disentangled and re-entangled and practitioners work with fluidic and energetic materials, as much as with solid substances, the notion of design as focused towards the production of fixed and closed objects becomes significantly unsettled.

Conference

ConferenceMaterial Culture in Action: Practices of making, collecting and re-enacting art and design
CountryUnited Kingdom
CityGlasgow
Period7/09/158/09/15

Fingerprint

Studios
anthropology
social dialogue
Fluidics
Product design
product design
participant observation
commerce
Education
art
school
education

Keywords

  • design
  • anthropology
  • studio
  • making

Cite this

Anusas, M. (2015). Unfolding the studio: a design anthropology of material emergence. Abstract from Material Culture in Action: Practices of making, collecting and re-enacting art and design, Glasgow, United Kingdom.
Anusas, Michael. / Unfolding the studio : a design anthropology of material emergence. Abstract from Material Culture in Action: Practices of making, collecting and re-enacting art and design, Glasgow, United Kingdom.1 p.
@conference{d9539d56ec1a4a1480b71ab3b8062eaf,
title = "Unfolding the studio: a design anthropology of material emergence",
abstract = "This paper explores how forms of material culture arise from the design studio - a situational context informed by an art school pedagogy and sense of space. The paper draws on participant observation of product design practice in education and commerce and anthropological theory and technique. Of particular concern is how studios disrupt conventional notions of design as a step-by-step linear process focused on assemblage and the formation of material culture as object. Rather, the space of the studio and the activity of skilled practitioners therein, tends to reveal design as a non-linear practice where conventional chronologies of process become challenged. Further, techniques of unmaking and disassemblage appear as critically important. Such techniques unearth material complexities, provoke social dialogue and stimulate a type of development that evokes its 17th century French origin d{\'e}velopper meaning to ‘unfold’ or ‘unfurl’. In this disruptive space, where material things are continually disentangled and re-entangled and practitioners work with fluidic and energetic materials, as much as with solid substances, the notion of design as focused towards the production of fixed and closed objects becomes significantly unsettled.",
keywords = "design, anthropology, studio, making",
author = "Michael Anusas",
year = "2015",
month = "9",
day = "7",
language = "English",
note = "Material Culture in Action: Practices of making, collecting and re-enacting art and design ; Conference date: 07-09-2015 Through 08-09-2015",

}

Anusas, M 2015, 'Unfolding the studio: a design anthropology of material emergence' Material Culture in Action: Practices of making, collecting and re-enacting art and design, Glasgow, United Kingdom, 7/09/15 - 8/09/15, .

Unfolding the studio : a design anthropology of material emergence. / Anusas, Michael.

2015. Abstract from Material Culture in Action: Practices of making, collecting and re-enacting art and design, Glasgow, United Kingdom.

Research output: Contribution to conferenceAbstract

TY - CONF

T1 - Unfolding the studio

T2 - a design anthropology of material emergence

AU - Anusas, Michael

PY - 2015/9/7

Y1 - 2015/9/7

N2 - This paper explores how forms of material culture arise from the design studio - a situational context informed by an art school pedagogy and sense of space. The paper draws on participant observation of product design practice in education and commerce and anthropological theory and technique. Of particular concern is how studios disrupt conventional notions of design as a step-by-step linear process focused on assemblage and the formation of material culture as object. Rather, the space of the studio and the activity of skilled practitioners therein, tends to reveal design as a non-linear practice where conventional chronologies of process become challenged. Further, techniques of unmaking and disassemblage appear as critically important. Such techniques unearth material complexities, provoke social dialogue and stimulate a type of development that evokes its 17th century French origin développer meaning to ‘unfold’ or ‘unfurl’. In this disruptive space, where material things are continually disentangled and re-entangled and practitioners work with fluidic and energetic materials, as much as with solid substances, the notion of design as focused towards the production of fixed and closed objects becomes significantly unsettled.

AB - This paper explores how forms of material culture arise from the design studio - a situational context informed by an art school pedagogy and sense of space. The paper draws on participant observation of product design practice in education and commerce and anthropological theory and technique. Of particular concern is how studios disrupt conventional notions of design as a step-by-step linear process focused on assemblage and the formation of material culture as object. Rather, the space of the studio and the activity of skilled practitioners therein, tends to reveal design as a non-linear practice where conventional chronologies of process become challenged. Further, techniques of unmaking and disassemblage appear as critically important. Such techniques unearth material complexities, provoke social dialogue and stimulate a type of development that evokes its 17th century French origin développer meaning to ‘unfold’ or ‘unfurl’. In this disruptive space, where material things are continually disentangled and re-entangled and practitioners work with fluidic and energetic materials, as much as with solid substances, the notion of design as focused towards the production of fixed and closed objects becomes significantly unsettled.

KW - design

KW - anthropology

KW - studio

KW - making

UR - http://materialculturegsa.wordpress.com

M3 - Abstract

ER -

Anusas M. Unfolding the studio: a design anthropology of material emergence. 2015. Abstract from Material Culture in Action: Practices of making, collecting and re-enacting art and design, Glasgow, United Kingdom.