The Psychology of Music Piracy

Steven Caldwell Brown

Research output: ThesisDoctoral Thesis

Abstract

Digital music piracy is a divisive contemporary issue which continues to dominate public debate on civil liberties, emphasising the far-reaching impact of the digital revolution on everyday music listening. To date, conventional approaches to curbing music piracy have largely failed. The collective knowledge produced by economists, criminologists, and lawyers, broadly depicts music pirates as immoral deviants who show no concern for the implications of their behaviours. Yet, there is little evidence to suggest that music piracy poses any major threats to the recorded music industry. This thesis explores the psychology of music piracy in order to gain a fuller understanding of why individuals engage in this activity, and what it means for the recorded music industry. Further to a comprehensive multidisciplinary Literature Review, eight empirical studies were conducted which adopted a suitably diverse mixedmethodological approach to match varied research questions. Findings from quantitative research find unique personality traits as predictors of pro-piracy attitudes. Results also suggest that individuals favouring music piracy are less fair than those who do not, with follow-up research failing to find that such individuals are immoral. Preference for digital music was also found to be a predictor of pro-piracy attitudes, with young males noted as principally engaged in music piracy. Findings from qualitative research centred on the justifications for engaging in music piracy, including rationalisations and neutralisations, as well as suggesting an imperfect understanding of commercial realities; such findings highlight that music piracy is easily justified in the absence of evidence to show that it poses real threats to the recorded music industry.
Original languageEnglish
QualificationPhD
Awarding Institution
  • Glasgow Caledonian University
Supervisors/Advisors
  • Knox, Don, Supervisor, External person
  • MacDonald, Raymond, Supervisor, External person
  • Tombs, Jackie, Supervisor, External person
  • Mitchell, Laura , Advisor, External person
Award date25 Nov 2015
Place of PublicationGlasgow
Publication statusPublished - 2015

Fingerprint

piracy
Music
music
psychology
Psychology
Industry
Piracy
industry
Research
threat
collective knowledge
Lawyers
Qualitative Research
rationalization
quantitative research
personality traits
lawyer
economist
evidence
Personality

Keywords

  • digital music piracy
  • social psychology
  • consumer
  • ethical considerations
  • moral reasoning
  • demographics
  • technological competence
  • strain theory
  • anti-piracy strategies
  • Masnick's model

Cite this

Caldwell Brown, S. (2015). The Psychology of Music Piracy. Glasgow.
Caldwell Brown, Steven. / The Psychology of Music Piracy. Glasgow, 2015.
@phdthesis{4d12a349f3674cdd8abc17ab381901cf,
title = "The Psychology of Music Piracy",
abstract = "Digital music piracy is a divisive contemporary issue which continues to dominate public debate on civil liberties, emphasising the far-reaching impact of the digital revolution on everyday music listening. To date, conventional approaches to curbing music piracy have largely failed. The collective knowledge produced by economists, criminologists, and lawyers, broadly depicts music pirates as immoral deviants who show no concern for the implications of their behaviours. Yet, there is little evidence to suggest that music piracy poses any major threats to the recorded music industry. This thesis explores the psychology of music piracy in order to gain a fuller understanding of why individuals engage in this activity, and what it means for the recorded music industry. Further to a comprehensive multidisciplinary Literature Review, eight empirical studies were conducted which adopted a suitably diverse mixedmethodological approach to match varied research questions. Findings from quantitative research find unique personality traits as predictors of pro-piracy attitudes. Results also suggest that individuals favouring music piracy are less fair than those who do not, with follow-up research failing to find that such individuals are immoral. Preference for digital music was also found to be a predictor of pro-piracy attitudes, with young males noted as principally engaged in music piracy. Findings from qualitative research centred on the justifications for engaging in music piracy, including rationalisations and neutralisations, as well as suggesting an imperfect understanding of commercial realities; such findings highlight that music piracy is easily justified in the absence of evidence to show that it poses real threats to the recorded music industry.",
keywords = "digital music piracy, social psychology, consumer, ethical considerations, moral reasoning, demographics, technological competence, strain theory, anti-piracy strategies, Masnick's model",
author = "{Caldwell Brown}, Steven",
year = "2015",
language = "English",
school = "Glasgow Caledonian University",

}

Caldwell Brown, S 2015, 'The Psychology of Music Piracy', PhD, Glasgow Caledonian University, Glasgow.

The Psychology of Music Piracy. / Caldwell Brown, Steven.

Glasgow, 2015.

Research output: ThesisDoctoral Thesis

TY - THES

T1 - The Psychology of Music Piracy

AU - Caldwell Brown, Steven

PY - 2015

Y1 - 2015

N2 - Digital music piracy is a divisive contemporary issue which continues to dominate public debate on civil liberties, emphasising the far-reaching impact of the digital revolution on everyday music listening. To date, conventional approaches to curbing music piracy have largely failed. The collective knowledge produced by economists, criminologists, and lawyers, broadly depicts music pirates as immoral deviants who show no concern for the implications of their behaviours. Yet, there is little evidence to suggest that music piracy poses any major threats to the recorded music industry. This thesis explores the psychology of music piracy in order to gain a fuller understanding of why individuals engage in this activity, and what it means for the recorded music industry. Further to a comprehensive multidisciplinary Literature Review, eight empirical studies were conducted which adopted a suitably diverse mixedmethodological approach to match varied research questions. Findings from quantitative research find unique personality traits as predictors of pro-piracy attitudes. Results also suggest that individuals favouring music piracy are less fair than those who do not, with follow-up research failing to find that such individuals are immoral. Preference for digital music was also found to be a predictor of pro-piracy attitudes, with young males noted as principally engaged in music piracy. Findings from qualitative research centred on the justifications for engaging in music piracy, including rationalisations and neutralisations, as well as suggesting an imperfect understanding of commercial realities; such findings highlight that music piracy is easily justified in the absence of evidence to show that it poses real threats to the recorded music industry.

AB - Digital music piracy is a divisive contemporary issue which continues to dominate public debate on civil liberties, emphasising the far-reaching impact of the digital revolution on everyday music listening. To date, conventional approaches to curbing music piracy have largely failed. The collective knowledge produced by economists, criminologists, and lawyers, broadly depicts music pirates as immoral deviants who show no concern for the implications of their behaviours. Yet, there is little evidence to suggest that music piracy poses any major threats to the recorded music industry. This thesis explores the psychology of music piracy in order to gain a fuller understanding of why individuals engage in this activity, and what it means for the recorded music industry. Further to a comprehensive multidisciplinary Literature Review, eight empirical studies were conducted which adopted a suitably diverse mixedmethodological approach to match varied research questions. Findings from quantitative research find unique personality traits as predictors of pro-piracy attitudes. Results also suggest that individuals favouring music piracy are less fair than those who do not, with follow-up research failing to find that such individuals are immoral. Preference for digital music was also found to be a predictor of pro-piracy attitudes, with young males noted as principally engaged in music piracy. Findings from qualitative research centred on the justifications for engaging in music piracy, including rationalisations and neutralisations, as well as suggesting an imperfect understanding of commercial realities; such findings highlight that music piracy is easily justified in the absence of evidence to show that it poses real threats to the recorded music industry.

KW - digital music piracy

KW - social psychology

KW - consumer

KW - ethical considerations

KW - moral reasoning

KW - demographics

KW - technological competence

KW - strain theory

KW - anti-piracy strategies

KW - Masnick's model

UR - http://ethos.bl.uk/OrderDetails.do?did=1&uin=uk.bl.ethos.680228

M3 - Doctoral Thesis

CY - Glasgow

ER -

Caldwell Brown S. The Psychology of Music Piracy. Glasgow, 2015.