Projects per year
Abstract
The lecture explores the idiomatic "guitaristic" gestures used by Villa-Lobos in selected Etudes and Preludes focusing on the relationships between both the "idiomatic" fingerings/shapes employed by Villa-Lobos and their the harmonic and formal design of each composition. The emphasis is emphasis on Etude number 12, though there is further discussion of how early twentieth century compositional trends were incorporated in the Etudes, Preludes and Choros of Villa-Lobos. Audio/visual recording of a lecture-presentation given for the Big Guitar Weekend event at the Royal Scottish Academy of Music and Drama 10 November 2009.
Original language | English |
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Place of Publication | Glasgow |
Publisher | University of Strathclyde |
Media of output | Film |
Publication status | Unpublished - Nov 2009 |
Event | Big Guitar Weekend - Glasgow, United Kingdom Duration: 13 Nov 2009 → 15 Nov 2009 |
Keywords
- Argondizza
- guitar
- Villa-Lobos
- octatonic
- pentatonic
- etude
- Brazil
- preludes
- choros
- scalar
- pitch class
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Dive into the research topics of 'The guitar music of Heitor Villa-Lobos: challenging common assumptions regarding idiomatic fingerings, shapes and gestures as used in selected preludes and etudesc'. Together they form a unique fingerprint.Projects
- 2 Finished
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GRRR: Group for Renaissance Research Reading
Argondizza, P. (Academic), Fudge, E. (Academic), Hope, J. (Academic), Jajdelska, E. (Academic), Thorne, A. (Academic), Hogarth, A. (Post Grad Student), Clark, D. I. (Post Grad Student), Veerapen, S. (Post Grad Student) & Froehlich, H. G. (Post Grad Student)
10/01/11 → 10/09/14
Project: Non-funded project
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ISMM: Instrument Specific Musical Memory
Argondizza, P. (Principal Investigator), Anderson, T. (Co-investigator), Kelly, S. (Co-investigator), Wilson, T. (Co-investigator) & Chaffin, R. (Co-investigator)
1/12/10 → 1/01/13
Project: Non-funded project