Stemming the black tide of mud: psychoanalysis and the occult periodical

Research output: Chapter in Book/Report/Conference proceedingChapter

Original languageEnglish
Title of host publicationThe Occult Imagination in Britain, 1875-1947
EditorsChristine Ferguson, Andrew Radford
Place of PublicationAbingdon, Oxon
Chapter6
Pages110-128
Number of pages28
Publication statusPublished - 21 Dec 2017

Publication series

NameAmong the Victorians and Modernists
PublisherRoutledge
Volume6

Keywords

  • psychoanalysis
  • occult
  • Victorian Britain
  • Modernist Britain

Cite this

Richardson, E. (2017). Stemming the black tide of mud: psychoanalysis and the occult periodical. In C. Ferguson, & A. Radford (Eds.), The Occult Imagination in Britain, 1875-1947 (pp. 110-128). (Among the Victorians and Modernists; Vol. 6). Abingdon, Oxon.
Richardson, Elsa. / Stemming the black tide of mud : psychoanalysis and the occult periodical. The Occult Imagination in Britain, 1875-1947 . editor / Christine Ferguson ; Andrew Radford. Abingdon, Oxon, 2017. pp. 110-128 (Among the Victorians and Modernists).
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Richardson, E 2017, Stemming the black tide of mud: psychoanalysis and the occult periodical. in C Ferguson & A Radford (eds), The Occult Imagination in Britain, 1875-1947 . Among the Victorians and Modernists, vol. 6, Abingdon, Oxon, pp. 110-128.

Stemming the black tide of mud : psychoanalysis and the occult periodical. / Richardson, Elsa.

The Occult Imagination in Britain, 1875-1947 . ed. / Christine Ferguson; Andrew Radford. Abingdon, Oxon, 2017. p. 110-128 (Among the Victorians and Modernists; Vol. 6).

Research output: Chapter in Book/Report/Conference proceedingChapter

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KW - Victorian Britain

KW - Modernist Britain

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T3 - Among the Victorians and Modernists

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BT - The Occult Imagination in Britain, 1875-1947

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Richardson E. Stemming the black tide of mud: psychoanalysis and the occult periodical. In Ferguson C, Radford A, editors, The Occult Imagination in Britain, 1875-1947 . Abingdon, Oxon. 2017. p. 110-128. (Among the Victorians and Modernists).