South African short fiction and orality

Zoe Wicomb, Jacqueline Bardolph (Editor)

Research output: Chapter in Book/Report/Conference proceedingChapter

Abstract

This volume originated in the second conference on postcolonial short fiction organized in Nice by Jacqueline Bardolph. The scope has been subsequently enlarged to cover most geographical areas and make it more comprehensive, resulting in a total of thirty-five contributions analyzing a broad spectrum of stories. If theoretical approaches to this often undervalued yet multifaceted genre receive due attention, the essays closely scrutinize specific texts. Some of the writers discussed are exclusive practitioners of the short story (Mansfield, Munro), but others (Achebe, Armah, Atwood, Carely, Rushdie) are also well-known novelists, a duality of interest that allows stimulating comparisons between shorter and longer works by the same authors. The origin of the short story in orality is a topic frequently addressed by contributors, who comment in particular on the use of dialect and dance rhythms in Selvon and Mittelholzer, or on circularity and the trickster figure in Thomas King and Ken Saro-Wiwa. Alternatively, they assess the stance adopted by characters or implied authors towards their communities, a stance ranging from marginality (Janet Frame) through apparent rootlessness (Wilding, Gunesekera) to a more or less explicitly formulated sense of belonging (Marshall, Head). Correspondingly, in the case of a multicultural society such as South Africa, the changing political situation has rendered possible new ways of defining whiteness (Isaacson, Gordimer). The status of women (both white and black) emerges as another major theme, with an emphasis on their persistent marginalization. As for the confessional mode, favoured by a number of women writers, it assumes a new form with Janice Kulyk Keefer, who gives the reader the rare pleasure of discovering 'Fox,' her version of what she calls 'displaced autobiography,' or 'creative non-fiction.'
Original languageEnglish
Title of host publicationTelling Stories: Postcolonial Short Fiction in English Finalized for Publication by Andre Viola with Jean-Pierre Durix
Place of PublicationAmsterdam
Pages156-170
Number of pages14
Publication statusPublished - 28 Feb 2001

Publication series

NameCross/cultures S. : No. 47
PublisherEditions Rodopi B.V.

Fingerprint

Short Fiction
Africa
Short Story
Orality
Stance
Women Writers
Autobiography
Whiteness
Rhythm
Marginalization
Duality
Creative Nonfiction
Writer
Novelist
South Africa
Circularity
Multicultural Societies
Implied Author
Dance
Pleasure

Keywords

  • postcolonial short fiction
  • orality
  • dialect
  • dance rhythms
  • creative non-fiction
  • displaced autobiography

Cite this

Wicomb, Z., & Bardolph, J. (Ed.) (2001). South African short fiction and orality. In Telling Stories: Postcolonial Short Fiction in English Finalized for Publication by Andre Viola with Jean-Pierre Durix (pp. 156-170). (Cross/cultures S. : No. 47). Amsterdam.
Wicomb, Zoe ; Bardolph, Jacqueline (Editor). / South African short fiction and orality. Telling Stories: Postcolonial Short Fiction in English Finalized for Publication by Andre Viola with Jean-Pierre Durix. Amsterdam, 2001. pp. 156-170 (Cross/cultures S. : No. 47).
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Wicomb, Z & Bardolph, J (ed.) 2001, South African short fiction and orality. in Telling Stories: Postcolonial Short Fiction in English Finalized for Publication by Andre Viola with Jean-Pierre Durix. Cross/cultures S. : No. 47, Amsterdam, pp. 156-170.

South African short fiction and orality. / Wicomb, Zoe; Bardolph, Jacqueline (Editor).

Telling Stories: Postcolonial Short Fiction in English Finalized for Publication by Andre Viola with Jean-Pierre Durix. Amsterdam, 2001. p. 156-170 (Cross/cultures S. : No. 47).

Research output: Chapter in Book/Report/Conference proceedingChapter

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Wicomb Z, Bardolph J, (ed.). South African short fiction and orality. In Telling Stories: Postcolonial Short Fiction in English Finalized for Publication by Andre Viola with Jean-Pierre Durix. Amsterdam. 2001. p. 156-170. (Cross/cultures S. : No. 47).