Sounding religious, sounding queer

Yvette Taylor, Emily Falconer, Ria Snowdon

Research output: Contribution to journalArticle

8 Citations (Scopus)

Abstract

This paper explores the role music plays in ‘queer-identifying religious youth’ worship, including attitudes to ‘progressive’ and ‘traditional’ musical sounds and styles. It looks at approaches taken by inclusive non-denominational churches (such as the Metropolitan Community Church, mcc), to reconcile different, and at times conflicting, identities of its members. Focusing on ‘spaces of reconciliation’ we bring together the embodied experience of Christian congregational music with the ‘age appropriate’ temporality of modern music, to examine the complex relationship between age, music, faith and sexuality. Young queers did not always feel ill at ease with ‘tradition’ and in fact many felt pulled towards traditional choral songs and hymns. Embodied and affective responses to congregational music emerged in complex and multiple ways: faith infused creativity, such as singing practice, enables queer youth to do religion and Christianity and be a part of ‘sounding religious, sounding queer’
LanguageEnglish
Pages229-249
Number of pages21
JournalEcclesial Practices
DOIs
Publication statusPublished - 2014

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music
faith
church
singing
Christianity
reconciliation
song
creativity
sexuality
Religion
community
experience

Keywords

  • embodiment
  • music
  • queer
  • sexuality
  • reconcilliation
  • metropolitan community
  • church
  • youth
  • imagined community

Cite this

Taylor, Yvette ; Falconer, Emily ; Snowdon , Ria. / Sounding religious, sounding queer. In: Ecclesial Practices. 2014 ; pp. 229-249.
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Sounding religious, sounding queer. / Taylor, Yvette; Falconer, Emily; Snowdon , Ria.

In: Ecclesial Practices, 2014, p. 229-249.

Research output: Contribution to journalArticle

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