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Representing queerness: modes, manners and methods

Research output: Contribution to journal › Special issue › peer-review

Abstract

Emerging from the Queer Representation: Pasts, Presents and Futures conference that the guest editors organized in 2021 with the University of Edinburgh’s Institute for Advanced Studies in the Humanities, the works in this issue theorize multiple ways queerness can be and has been represented on-screen, in print and online in recent years. In this introduction, the editors consider the myriad contexts at play in the construction of ‘queer’ and how ideas about queer temporality, spatiality, kinship and embodiment are surfacing in media across the world. Where each contributor to this Special Issue looks closely at specific examples of non-normative lives, gender non-conforming people and/or same-gender desires being depicted in media texts, the editors use this introduction to highlight the overlapping understandings of queer representation that these articles and reviews, as a collection, are proposing. Whether arising from narratives which subvert expectations of coming out as the sole way of legitimizing queerness, works which utilize colour and movement to signify queer potentiality or through queer performances which undercut established ways of being in the world, the authors and reviewers each posit a version of queerness, in this issue, that is capacious, expansive and plural. Together, as the editors explain in this introduction, their works probe what queer visibility means at a time when neither the presence of LGBTQIA+ stories on our screens nor the unending tide of worldwide anti-queer policies seem to be abating.
Original languageEnglish
Pages (from-to)255-263
JournalQueer Studies in Media and Popular Cultures
Volume8
Issue number3
DOIs
Publication statusPublished - Sept 2023
Externally publishedYes

Funding

Both editors would like to thank the Institute of Advanced Studies in the Humanities at the University of Edinburgh for sponsoring the conference out of which these articles stem via the Susan Manning Memorial Workshop Bursary. Both editors also wish to acknowledge the diligence, patience and professionalism of the contributors, who made the Special Issue a pleasure to put together. Anamarija Horvat would also like to thank the Spanish Ministry of Science and Education, whose generous sponsorship of her Juan de la Cierva Formación grant (Grant Number FJC2020-045746-I) enabled her to work on part of this Special Issue, as well as Northumbria University, where the rest of her work took place.

Keywords

  • LGBTQIA+
  • performance
  • popular culture
  • world cinema
  • television
  • textual analysis
  • fanfiction

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