Abstract
This article traces the ways in which the understanding and expression of global African culture and citizenship evolved across a series of major pan-African cultural festivals held between 1966 and 1977 in Dakar, Algiers and Lagos. It argues that these festivals were part of a general shift from political pan-Africanism to cultural pan-Africanism, and counterbalances the festivals’ grand, official, national narratives with the individual encounters fostered by the events.
Original language | English |
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Journal | Tate Papers |
Volume | 30 |
Publication status | Published - 5 Dec 2018 |
Keywords
- African culture
- pan-African culture
- cultural festivals
- des arts negres