Ornamented intabulations and derived fantasias: parody, imitatio, and genre in Vincenzo Galilei’s lute arrangments of Alessandro Striggios “Nasce la pena mia”

Peter Argondizza

    Research output: Working paper

    Abstract

    Jean-Michel Vaccaro in 1981 proposed a four-fold classification of sixteenth-century pieces for solo lute, ordered by the degree to which the composer is constrained by fidelity to a pre-existent model, usually a polyphonic vocal work such as a chanson, madrigal, motet, or mass movement.
    LanguageEnglish
    Number of pages2
    Publication statusUnpublished - 2011

    Fingerprint

    Motet
    Solo
    Lute
    Composer
    Polyphonic
    Chanson
    Madrigal
    Parody
    Imitatio
    Fold
    Fidelity

    Keywords

    • Galilei
    • Striggio
    • intabulations
    • fantasias
    • parody
    • imitatio

    Cite this

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    abstract = "Jean-Michel Vaccaro in 1981 proposed a four-fold classification of sixteenth-century pieces for solo lute, ordered by the degree to which the composer is constrained by fidelity to a pre-existent model, usually a polyphonic vocal work such as a chanson, madrigal, motet, or mass movement.",
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