Abstract
To understand what drives this female‐led quest for justice we must situate this as a response to the traumas of the recent past which still convulse the respective play‐worlds, whether the legacy of internecine strife from the War of the Roses that imprints itself upon the fractured court of Richard III, the unresolved struggle over the succession in King John, or the upheavals of the English Reformation in Henry VIII. Each of these plays evokes a profoundly dysfunctional society where the normal patrilineal structures of authority and legitimate succession have broken down, where oaths are routinely violated, theology is manipulated for political gain, and the law perverted to serve the will of individuals, instead
of the bono publico. What is undeniably catastrophic for the body politic, though, proves oddly enabling for the plays' female protagonists.
Original language | English |
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Title of host publication | This England, That Shakespeare |
Subtitle of host publication | New Angles on Englishness and the Bard |
Editors | Willy Maley, Margaret Tudeau-Clayton |
Pages | 105-126 |
Number of pages | 22 |
Publication status | Published - Sept 2010 |
Keywords
- Shakespear
- England
- englishness
- plays
- female complaint
- Richard III
- King John
- Henry VIII