Musical applications of physical computing

Calum Scott

    Research output: ThesisMaster's Thesis

    Abstract

    This paper presents a music technology portfolio consisting of 5 distinct
    projects, which are each concerned with the concept of physicality in digital
    music. The work seeks to address acoustic ecologist R. Murray Schafer’s concept
    of schizophonia by imbuing digital music systems with signatures from the analog
    world through the use of emerging technologies of physical computing. Physical
    control methods were developed and explored for this purpose as well as the use
    of computer controlled mechanical actuators operating on acoustic objects. The
    resultant projects vary in form - encompassing aspects of automated musical
    performance, installation and interactive art as well as design and programming
    - but in all the link between sound and source is in some way given physical
    tangibility.
    LanguageEnglish
    Awarding Institution
    • University of Glasgow
    Supervisors/Advisors
    • Fells, Dr Nick, Supervisor, External person
    Publication statusPublished - Apr 2011

    Fingerprint

    Mechanical actuators
    Acoustics
    Acoustic waves

    Keywords

    • music
    • physical computing
    • installation art
    • schizophonia
    • sonic art

    Cite this

    Scott, Calum. / Musical applications of physical computing. 2011. 39 p.
    @phdthesis{28915cdaa7df4ec98bc6e29fc8989995,
    title = "Musical applications of physical computing",
    abstract = "This paper presents a music technology portfolio consisting of 5 distinct projects, which are each concerned with the concept of physicality in digital music. The work seeks to address acoustic ecologist R. Murray Schafer’s concept of schizophonia by imbuing digital music systems with signatures from the analog world through the use of emerging technologies of physical computing. Physical control methods were developed and explored for this purpose as well as the use of computer controlled mechanical actuators operating on acoustic objects. The resultant projects vary in form - encompassing aspects of automated musical performance, installation and interactive art as well as design and programming - but in all the link between sound and source is in some way given physical tangibility.",
    keywords = "music, physical computing, installation art, schizophonia, sonic art",
    author = "Calum Scott",
    year = "2011",
    month = "4",
    language = "English",
    school = "University of Glasgow",

    }

    Scott, C 2011, 'Musical applications of physical computing', University of Glasgow.

    Musical applications of physical computing. / Scott, Calum.

    2011. 39 p.

    Research output: ThesisMaster's Thesis

    TY - THES

    T1 - Musical applications of physical computing

    AU - Scott, Calum

    PY - 2011/4

    Y1 - 2011/4

    N2 - This paper presents a music technology portfolio consisting of 5 distinct projects, which are each concerned with the concept of physicality in digital music. The work seeks to address acoustic ecologist R. Murray Schafer’s concept of schizophonia by imbuing digital music systems with signatures from the analog world through the use of emerging technologies of physical computing. Physical control methods were developed and explored for this purpose as well as the use of computer controlled mechanical actuators operating on acoustic objects. The resultant projects vary in form - encompassing aspects of automated musical performance, installation and interactive art as well as design and programming - but in all the link between sound and source is in some way given physical tangibility.

    AB - This paper presents a music technology portfolio consisting of 5 distinct projects, which are each concerned with the concept of physicality in digital music. The work seeks to address acoustic ecologist R. Murray Schafer’s concept of schizophonia by imbuing digital music systems with signatures from the analog world through the use of emerging technologies of physical computing. Physical control methods were developed and explored for this purpose as well as the use of computer controlled mechanical actuators operating on acoustic objects. The resultant projects vary in form - encompassing aspects of automated musical performance, installation and interactive art as well as design and programming - but in all the link between sound and source is in some way given physical tangibility.

    KW - music

    KW - physical computing

    KW - installation art

    KW - schizophonia

    KW - sonic art

    UR - http://theses.gla.ac.uk/2442/

    M3 - Master's Thesis

    ER -