Introduction

carnivals, festivals, and pan-Africanism

Tsitsi Jaji, Martin Munro, David Murphy

Research output: Contribution to journalArticle

Abstract

In any culture, festive events are often far more than simple opportunities to feast and celebrate. They can also be focal points for political or cultural movements, a chance to speak and act in ways that may be forbidden or limited in non-festive times. In the Caribbean, with its particular history of slavery and cross-cultural encounter, festivities were often highly policed, explosive points in the calendar. Slave dances were breaks in the repetitive routine of the plantation, and chances to breach temporarily the strict colonial authority, in which the threat of retributive violence was ever fused with the equally strong need to escape the rigours of every-day life through festive activities.
Original languageEnglish
Pages (from-to)1-3
Number of pages3
JournalWorld Art
Volume9
Issue number1
DOIs
Publication statusPublished - 11 Mar 2019

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festival
slavery
slave
dance
threat
violence
event
history
time
Everyday Life
Pan-Africanism
Slaves
Threat
Cross-cultural Encounters
Colonies
Slavery
Feast
Plantation
Cultural Movement
Calendar

Keywords

  • festivals
  • pan African festivals
  • slavery
  • carnivals

Cite this

Jaji, Tsitsi ; Munro, Martin ; Murphy, David. / Introduction : carnivals, festivals, and pan-Africanism. In: World Art. 2019 ; Vol. 9, No. 1. pp. 1-3.
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Introduction : carnivals, festivals, and pan-Africanism. / Jaji, Tsitsi; Munro, Martin; Murphy, David.

In: World Art, Vol. 9, No. 1, 11.03.2019, p. 1-3.

Research output: Contribution to journalArticle

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