Abstract
This paper explores taste through practices in online and offline fine art consumption. Through online communities, art expertise has become democratised beyond established institutions but online art communities represent distinct and parallel practices, tastes and cultural capital. Online expertise does not grant cultural capital offline nor impact established taste regimes.
| Original language | English |
|---|---|
| Pages | 1-12 |
| Number of pages | 12 |
| Publication status | Published - 27 Oct 2016 |
| Event | Association for Consumer Research Conference 2016 - Maritim Hotel, Berlin, Germany Duration: 27 Oct 2016 → 30 Oct 2016 http://www.acrweb.org/acr/Public/index.aspx |
Conference
| Conference | Association for Consumer Research Conference 2016 |
|---|---|
| Country/Territory | Germany |
| City | Berlin |
| Period | 27/10/16 → 30/10/16 |
| Internet address |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 12 Responsible Consumption and Production
Keywords
- art buying
- expert knowledge
- consumer behavior
- online reviews
- cultural capital
Fingerprint
Dive into the research topics of '"I know what I like": parallel tastes in fine art consumption'. Together they form a unique fingerprint.Research output
- 1 Article
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"I know what I like": Parallel tastes in fine art consumption
Stankovic, T., Tonner, A. & Wilson, A., 27 Oct 2016, In: Advances in Consumer Research. 44, p. 343-347 5 p.Research output: Contribution to journal › Article › peer-review
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