Abstract
This article uses the categorization of 'Britishness' to identify both the canon of British law films and attempts that have been made to encourage and protect the British film industry. In addition the article reengages with thee genre debate utilizing the notion of iconography.
| Original language | English |
|---|---|
| Journal | University of Baltimore Law Review |
| Volume | 36 |
| Issue number | 3 |
| Publication status | Published - 2007 |
Keywords
- law film genre
- british film industry
- iconogrpahy
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