Farsa e polemica in storie di poveri attori: La bohème dei comici di Raffaele Viviani

D. Fischer, C. Keen (Editor), B. Richardson (Editor), S. Gilson (Editor)

    Research output: Chapter in Book/Report/Conference proceedingChapter

    Abstract

    The nineteen essays in this volume cover a wide chronological span from the 1470s to the 1990s. Their breadth of subject matter appropriately reflects the diversity of Dick Andrews's own research interests, including as they do considerations of the interactions between author/performer and public, between text and performance, and, more broadly still, between the written and the oral. Common to the essays, too, is an interest in crossing traditional disciplinary boundaries such as music and literature, architecture and theatre.
    Original languageEnglish
    Title of host publicationTheatre, Opera, and performance in Italy from the Fifteenth Century to the Present, Essays in Honour of Richard Andrews, The Society for Italian Studies, Occasional Papers No.6, edited by Brian Richardson, Simon Gilson an Catherine Keen
    Place of PublicationLeeds, UK
    Pages273-284
    Number of pages11
    Publication statusPublished - 2004

    Fingerprint

    1990s
    Performer
    Disciplinary Boundaries
    Music
    Interaction
    Subject Matter

    Keywords

    • italy
    • theatre
    • literature
    • architecture
    • music

    Cite this

    Fischer, D., Keen, C. (Ed.), Richardson, B. (Ed.), & Gilson, S. (Ed.) (2004). Farsa e polemica in storie di poveri attori: La bohème dei comici di Raffaele Viviani. In Theatre, Opera, and performance in Italy from the Fifteenth Century to the Present, Essays in Honour of Richard Andrews, The Society for Italian Studies, Occasional Papers No.6, edited by Brian Richardson, Simon Gilson an Catherine Keen (pp. 273-284). Leeds, UK.
    Fischer, D. ; Keen, C. (Editor) ; Richardson, B. (Editor) ; Gilson, S. (Editor). / Farsa e polemica in storie di poveri attori: La bohème dei comici di Raffaele Viviani. Theatre, Opera, and performance in Italy from the Fifteenth Century to the Present, Essays in Honour of Richard Andrews, The Society for Italian Studies, Occasional Papers No.6, edited by Brian Richardson, Simon Gilson an Catherine Keen. Leeds, UK, 2004. pp. 273-284
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    Fischer, D, Keen, C (ed.), Richardson, B (ed.) & Gilson, S (ed.) 2004, Farsa e polemica in storie di poveri attori: La bohème dei comici di Raffaele Viviani. in Theatre, Opera, and performance in Italy from the Fifteenth Century to the Present, Essays in Honour of Richard Andrews, The Society for Italian Studies, Occasional Papers No.6, edited by Brian Richardson, Simon Gilson an Catherine Keen. Leeds, UK, pp. 273-284.

    Farsa e polemica in storie di poveri attori: La bohème dei comici di Raffaele Viviani. / Fischer, D.; Keen, C. (Editor); Richardson, B. (Editor); Gilson, S. (Editor).

    Theatre, Opera, and performance in Italy from the Fifteenth Century to the Present, Essays in Honour of Richard Andrews, The Society for Italian Studies, Occasional Papers No.6, edited by Brian Richardson, Simon Gilson an Catherine Keen. Leeds, UK, 2004. p. 273-284.

    Research output: Chapter in Book/Report/Conference proceedingChapter

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    Fischer D, Keen C, (ed.), Richardson B, (ed.), Gilson S, (ed.). Farsa e polemica in storie di poveri attori: La bohème dei comici di Raffaele Viviani. In Theatre, Opera, and performance in Italy from the Fifteenth Century to the Present, Essays in Honour of Richard Andrews, The Society for Italian Studies, Occasional Papers No.6, edited by Brian Richardson, Simon Gilson an Catherine Keen. Leeds, UK. 2004. p. 273-284