The chapter argues that the modes of listening to, and watching, female artists performing live from the 1830s onwards prompted an unprecedented engagement on behalf of female spectators - to the extent that it opened up new ways for them of feeling and thinking about their sexual, social, and economic selves in late 19th century Italy following the rise of female literacy and better access to education.
|Title of host publication||The Formation of a National Audience|
|Subtitle of host publication||Readers and Spectators in Italy, 1750-1890|
|Editors||Jennifer Burns, Gabriella Romani|
|Place of Publication||Vancouver, BC, Canada|
|Publication status||Published - 4 Jun 2017|
- nineteenth century
Mitchell, K. (2017). Evenings out: female spectators of opera and theatre in late nineteenth-century Italy. In J. Burns, & G. Romani (Eds.), The Formation of a National Audience: Readers and Spectators in Italy, 1750-1890 Vancouver, BC, Canada.