Evenings out: female spectators of opera and theatre in late nineteenth-century Italy

Research output: Chapter in Book/Report/Conference proceedingChapter

Abstract

The chapter argues that the modes of listening to, and watching, female artists performing live from the 1830s onwards prompted an unprecedented engagement on behalf of female spectators - to the extent that it opened up new ways for them of feeling and thinking about their sexual, social, and economic selves in late 19th century Italy following the rise of female literacy and better access to education.
LanguageEnglish
Title of host publicationThe Formation of a National Audience
Subtitle of host publicationReaders and Spectators in Italy, 1750-1890
EditorsJennifer Burns, Gabriella Romani
Place of PublicationVancouver, BC, Canada
Publication statusPublished - 4 Jun 2017

Fingerprint

Italy
Literacy
Education
Economics
Rise
Female Spectator
Female Artists
Sexual
1830s
Opera

Keywords

  • spectatorship
  • nineteenth century
  • readers

Cite this

Mitchell, K. (2017). Evenings out: female spectators of opera and theatre in late nineteenth-century Italy. In J. Burns, & G. Romani (Eds.), The Formation of a National Audience: Readers and Spectators in Italy, 1750-1890 Vancouver, BC, Canada.
Mitchell, Katharine. / Evenings out : female spectators of opera and theatre in late nineteenth-century Italy. The Formation of a National Audience: Readers and Spectators in Italy, 1750-1890 . editor / Jennifer Burns ; Gabriella Romani. Vancouver, BC, Canada, 2017.
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Mitchell, K 2017, Evenings out: female spectators of opera and theatre in late nineteenth-century Italy. in J Burns & G Romani (eds), The Formation of a National Audience: Readers and Spectators in Italy, 1750-1890 . Vancouver, BC, Canada.

Evenings out : female spectators of opera and theatre in late nineteenth-century Italy. / Mitchell, Katharine.

The Formation of a National Audience: Readers and Spectators in Italy, 1750-1890 . ed. / Jennifer Burns; Gabriella Romani. Vancouver, BC, Canada, 2017.

Research output: Chapter in Book/Report/Conference proceedingChapter

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AB - The chapter argues that the modes of listening to, and watching, female artists performing live from the 1830s onwards prompted an unprecedented engagement on behalf of female spectators - to the extent that it opened up new ways for them of feeling and thinking about their sexual, social, and economic selves in late 19th century Italy following the rise of female literacy and better access to education.

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Mitchell K. Evenings out: female spectators of opera and theatre in late nineteenth-century Italy. In Burns J, Romani G, editors, The Formation of a National Audience: Readers and Spectators in Italy, 1750-1890 . Vancouver, BC, Canada. 2017