TY - JOUR
T1 - Courting consumers and legitimating exploitation
T2 - the representation of commercial sex in television documentaries
AU - Boyle, Karen
PY - 2008/3/18
Y1 - 2008/3/18
N2 - The explosion of sexually explicit imagery in popular culture in recent years has been widely noted. On television, this has led to the birth of a new genre, a pornography-documentary hybrid. This article examines the kind of stories about sex that have emerged in this new generic space at the beginning of the twenty-first century and makes the case for retaining a central focus on gender as a relational matrix in feminist responses to both television and pornography. The article begins by sketching the classic feminist positions on pornography and considering how recent shifts in pornography research have limited the nature of feminist enquiry in a way that is broadly consistent with the normalising of pornography in mainstream culture. This provides the context for an analysis of docuporn that examines the stories the genre tells about commercial sex, arguing that, in the absence of an on-screen “john,” these programmes court the viewer as a present and future consumer, negating the gendered inequalities and exploitation that make commercial sex, in its currently dominant forms, possible.
AB - The explosion of sexually explicit imagery in popular culture in recent years has been widely noted. On television, this has led to the birth of a new genre, a pornography-documentary hybrid. This article examines the kind of stories about sex that have emerged in this new generic space at the beginning of the twenty-first century and makes the case for retaining a central focus on gender as a relational matrix in feminist responses to both television and pornography. The article begins by sketching the classic feminist positions on pornography and considering how recent shifts in pornography research have limited the nature of feminist enquiry in a way that is broadly consistent with the normalising of pornography in mainstream culture. This provides the context for an analysis of docuporn that examines the stories the genre tells about commercial sex, arguing that, in the absence of an on-screen “john,” these programmes court the viewer as a present and future consumer, negating the gendered inequalities and exploitation that make commercial sex, in its currently dominant forms, possible.
KW - pornography
KW - prostitution
KW - buying sex
KW - documentary
KW - television
UR - https://www.tandfonline.com/doi/abs/10.1080/14680770701824894
U2 - 10.1080/14680770701824894
DO - 10.1080/14680770701824894
M3 - Article
VL - 8
SP - 35
EP - 50
JO - Feminist Media Studies
JF - Feminist Media Studies
SN - 1468-0777
IS - 1
ER -