Abstract
Hannah More and Ann Yearsley experienced a long-standing relationship that lasted far beyond their roles as patron and protégée. More had originally come to prominence as a playwright under the patronage of celebrated actor/manager David Garrick. When an established writer herself, she was able to assist Yearsley, bringing the young poet’s rustic voice to the attention of an eighteenth-century society hungry for the fashionable phenomenon of the ‘rural genius’.
Andrews offers a timely and necessary reassessment of the careers of both Yearsley and More. Making use of newly discovered letters and poems, she provides a full analysis of the breakdown of the two writers’ affiliation and compares it to other labouring-class relationships based on patronage.
Andrews offers a timely and necessary reassessment of the careers of both Yearsley and More. Making use of newly discovered letters and poems, she provides a full analysis of the breakdown of the two writers’ affiliation and compares it to other labouring-class relationships based on patronage.
Original language | English |
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Place of Publication | London |
Publisher | Pickering & Chatto Publishers |
Number of pages | 208 |
ISBN (Print) | 9781848931510 |
Publication status | Published - Aug 2013 |
Publication series
Name | Gender and Genre |
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Publisher | Pickering & Chatto Publishers |
Volume | 11 |
Keywords
- ann yearsley
- hannah more
- patronage
- poetry
- literary relationship
- patron and protegee
- playwright
- eighteenth-century society