Brilliant Vibrating Interface: Queering the Post-Internet through Poetry and Practice

  • Sledmere, Maria (Principal Investigator)
  • Dunlop, Kirsty (Co-investigator)
  • Hill-Woods, Alice (Co-investigator)
  • Jung, Loll (Co-investigator)

Project: Knowledge Exchange

Project Details


Taking our cue from Edwin Morgan’s assertion that ‘Poetry is a brilliant vibrating interface between the human and the non-human’, this project traces the liquid pixels, folds and veils of various kinds of interface: from language to the ever-present digital screens of our lives. Uniting several concerns of Morgan’s own writing – queerness, experiment, hybridity and technology – Brilliant Vibrating Interface offers a dynamic and multiplatform series of creative outputs and community events based online and in Glasgow. We will investigate, publish and spark conversation around queer literary experiments in the digital age; in turn, expanding the canon to highlight the work of younger, emergent writers. With emphasis on works which engage explicitly, in form and content, with the internet, we will host a series of podcasts, interviews and workshops, leading up to a book-length anthology publication and digital exhibition.

Brilliant Vibrating Interface highlights the continual influence and relevance of Morgan’s work as a proto-internet poet (who wrote code, computational and concrete poems informed by machines) by placing his legacy in direct conversation with digitally native (‘post-internet’) writers and artists – from Morgan’s instamatics to the Instagram poetry of today. At the heart of this project, we share Morgan’s passion for poetry in dialogue with the visual, with technology, everyday life, sexuality and gender. Expect workshops on glitch poetry, interfaces, the queer poetics of trash, multimedia, collage and procedural forms. Our research and interview phase will explore the media, process and tools behind post-internet poetry as well as its cultural contexts, offering insights into how and why poets are engaging with various technologies in their work. Together we’ll dream more abundant, queer and playful digital worlds through poetry. Envision the virtual world of Second Life colliding with Morgan’s 1968 collection The Second Life: that’s our vibe!
Effective start/end date1/10/2230/09/23


  • poetry
  • queer poetics
  • post-internet
  • technology
  • hybrid forms
  • creative writing
  • Edwin Morgan
  • queer theory


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