• United Kingdom

Accepting PhD Students

Willing to speak to media

20052019
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Personal profile

Personal Statement

I was educated at comprehensive schools in the Midlands in England, and worked in Italy during a gap year before studying for a BA (Hons) in Italian with French Languages and Literatures at the University of Leeds. I then taught English in Finland, followed by several years in Arts Administration working for major opera companies in London, Sydney, and Melbourne, while studying for an MA by Research in Italian opera and gender at Leeds. I was awarded my doctoral thesis in nineteenth-century Italian women writers from the University of Warwick, and before joining Strathclyde I was a Junior Research Fellow at Lucy Cavendish College, Cambridge.

I am a literary and cultural studies scholar specialising in women and gender in Italy at the turn of the twentieth century, and see the connection between my active research and teaching as vital for my students. My first book, Italian Women Writers: Gender and Everyday Life in Fiction and Journalism, 1870-1910 was published by the University of Toronto Press in 2014 and won a Finalist place in the Edinburgh Gadda Prize 2019 (Vittorio Group). Currently, I am writing my second monograph on the emergence of a 'female gaze' among middle-class theatre, opera, and early cinema spectators of the melodramatic mode (forthcoming with Routledge).

At Strathclyde I am Director of Internationalistion for the School of Humanities, a member of the University's Feminist Network, and regularly discuss gender equality issues on BBC Radio. I have been a member of the AHRC's Peer Review College since 2012 and currently sit on the University Senate and Court committees and coordinate the University's Society & Policy research theme sub-theme Communication, Language and Translation. In 2018, I was the PI leading a Royal Society of Edinburgh-funded collaborative project with the Society of Antiquaries of Scotland to establish the Scottish Network for Nineteenth-Century European Cultures, and in 2019, I was Visiting Fellow at the University of Oxford (St. Catherine's College, Hilary Term, and Harris Manchester College, Trinity Term).

I welcome prospective PhD students in modern Italian culture, especially in relation to women and gender.

Research Interests

My interdisciplinary research specialism on Italian women as agents of cultural change (e.g. as writers, performing artists, readers and spectators) draws on gender studies, women's studies, literary studies, opera studies, theatre studies, feminist film studies and cultural studies in late C19th and early C20th Italy.

I am the author of Italian Women Writers: Gender and Everyday Life in Fiction and Journalism, 1870-1910 (Toronto: University of Toronto Press, 2014), with one a Finalist place in the 2019 Edinburgh Gadda Prize (Vittorio Group). I am co-editor of Women and Gender in Post-Unification Italy (Oxford: Peter Lang, 2013), and have co-edited special issues of the journal Italian Studies on The Diva in Modern Italian Culture (2015) and The Italianist (Rethinking Neera, 2010).

I am currently writing a second monograph entitled Gender, Writing, Spectatorships: Evenings Out at the Theatre, Opera and Silent Screen in Italy and Beyond, 1880-1916 (forthcoming with Routledge) and collaborating with Dr Ursula Fanning (UCD, Ireland) and Prof. Gabriella Romani (Seton Hall University, NJ) on an edited book to be published with Classiques Garniers in 2020, entitled 'Matilde Serao Beyond National Fame: Reframing the Neapolitan Writer’s Reception and Networks'.

I was PI on the RSE-funded project 'Establishing SNNEC: Scotland and Europe Then (1789-1914) and Now' which hosted a series of workshops in 2018 and established the Scottish Network for Nineteenth-Century European Cultures. I am also working in collaboration with Prof. Gabriella Romani, Dr Morena Corradi (Queen's, CUNY) and Dr Silvia Valisa (Florida State University) to co-found the Interdisciplinary Network for Nineteenth-Century Italian Studies.

During Semester 2 of 2018-19, I held two Visiting Fellowships at the University of Oxford (at St. Catherine's College, Hilary Term, and at Harris Manchester College, Trinity Term).

Research publications since REF 2014

'Priming Spectators for Pirandello's Sei personaggi in cerca d'autore (1921) through Puccini from 1884', in Pirandello studies 37 (2017)

with Danielle Hipkins, ‘Le traviate: Suffering heroines and the Italian state between the 19th and 21st centuries’ in Prostitution and Sex Work in Global Visual Media: New Takes on Fallen Women, eds Danielle Hipkins and Kate Taylor (Palgrave Macmillan, 2017), 195-217

Ottocento Italian Dive Between the Woman's Stage and Page’ in Women and the Public Sphere in Modern and Contemporary Italy. Essays for Sharon Wood, eds Simona Storchi, Marina Spunta and Maria Morelli (Leicester: Troubadour, 2017), 1-13

‘Evenings Out: Female Spectators of Opera and Theatre in Late Nineteenth-Century Italy’, eds Jennifer Burns and Gabriella Romani, The Formation of a National Audience: Readers and Spectators in Italy, 1750-1890 (Fairleigh Dickinson University Press, 2017), 259-80

‘Beauty Italian Style: Gendered imaginings of, and responses to, stage divas in early post-Unification literary culture’, in ‘The Diva in Modern Italian Culture’, eds, Katharine Mitchell and Clorinda Donato, special issue of Italian Studies 70:3, (2015), 330-46

with Clorinda Donato, eds, ‘The Diva in Modern Italian Culture’, special issue of Italian Studies 70:3 (2015)

‘Literary and Epistolary Figurations of Female Desire in Early Post-Unification Italy, 1861-1914’ in Italian Sexualities Uncovered: The Long Nineteenth Century,eds, Valeria Babini, Chiara Beccalossi, and Lucy Riall (Palgrave Macmillan, 2015)

Italian Women Writers: Gender and Everyday Life in Fiction and Journalism, 1870-1910 (Toronto: Toronto University Press, 2014) -- ‘In this groundbreaking study, Mitchell analyzes some domestic fiction and some non-fiction pieces – especially journalism and essays – of three middleclass Italian women who were professionally active between 1870 and 1910’. (C. De Santi, Choice Magazine, vol 52:2 (2015)

Forthcoming research publications 

Gender, Writing, Spectatorships: Evenings Out at the Theatre, Opera, and Silent Screen in Italy and Beyond, 1880-1916 (Routledge, 2021)

‘Pleasuring Female Spectators: Responses in the French Press to the Parisian Staging of Matilde Serao’s Dopo il perdono (1906)’, in Matilde Serao Beyond National Fame: Reframing the Neapolitan Writer’s Reception and Networks, eds Ursula Fanning, Katharine Mitchell, and Gabriella Romani (Paris: Classiques Garniers, 2020)

‘Envoicing’ Women on Page, Stage, and Screen in Early Post-Unification Italy’, in ‘Con Altra Voce:Echi, variazioni e dissonanze nell'espressione letteraria’, eds G. Bassi, I. Duretto, A. Hijazin, M. Riccobono and F. RossiEdizioni della Normale (Pisa) 

Matilde Serao Beyond Fame: Reframing the Neapolitan Writer’s Reception and Networks, eds Gabriella Romani, Ursula Fanning and Katharine Mitchell (Paris: Classiques Garniers, 2020)

 

Teaching Interests

I am convenor of all Level 3 classes and teach undergraduate and postgraduate classes on celebrity culture, theatre, opera and film spectatorships, and women writers in post-Unification Italy. I also teach Italian writing skills at Level 3 and translation into English at Honours level.

Taught Undergraduate Classes

Yr 1: Basic Italian Language; Italian Literature and Film.

Yr 2: Translation into English

Yr 3: Writing in Italian; Italian Stage and Screen; Gender and Celebrity Culture; Italian History Through Film.

Yr 4: Women, Celebrity Culture, and Emancipation in Post-Unification Italy; Translation into English; Gender and Celebrity Culture; Italian History Through Film

Taught Postgraduate Classes

MSc in Interdisciplinary English Studies module: Writers, Female Performers and Audiences in the Long Nineteenth Century, 1789-1914

MSc in Applied Gender Studies (2018-ongoing) class: Gender and Employment in Italy

Research Student

Francesca Marsciullo - AHRC-funded MRes (2019-20): 'Denied and Disowned Motherhood in the works of Dacia Maraini and Annie Ernaux'

 

Expertise & Capabilities

  • 19th & 20th-century Italian middle-class women writers of domestic fiction
  • Italian tragic realist opera
  • Literary and cultural representations of gender & sexuality
  • 19th-century celebrity culture, including theatre, opera and early cinema spectatorships
  • Scottish and European exchanges and connections in the long nineteenth century

Education/Academic qualification

Doctor of Philosophy, University of Warwick

1 Oct 200327 Apr 2007

Master of Research, University of Leeds

1 Oct 200030 Jun 2002

Bachelor of Arts, University of Leeds

2 Sep 199530 Jun 1999

External positions

Junior Research Fellow, University of Cambridge

1 Oct 20088 Jan 2011

Keywords

  • Italian women writers
  • Italian tragic opera
  • representations of gender & sexuality in nineteenth- and twentieth-century Italian culture
  • domestic fiction
  • female performing artists
  • female spectatorship
  • journalism
  • melodrama

Fingerprint Dive into the research topics where Katharine Mitchell is active. These topic labels come from the works of this person. Together they form a unique fingerprint.

  • 5 Similar Profiles
Italy Social Sciences
grant Social Sciences
writer Social Sciences
journalism Social Sciences
nineteenth century Social Sciences
opera Social Sciences
gender Social Sciences
everyday life Social Sciences

Network Recent external collaboration on country level. Dive into details by clicking on the dots.

Projects 2012 2019

Scotland and Europe: Politics, Culture, and National Borders

Mitchell, K.

Project: Knowledge Exchange (Conference / Seminar Hosting)Knowledge Exchange

Selected Research Output 2005 2018

1 Citation (Scopus)

Neera's refiguring of hysteria as nervosismo in Teresa (1886) and L'Indomani (1890)

Mitchell, K., Jul 2010, In : Italianist. 30, supplement 1, p. 101-122 22 p.

Research output: Contribution to journalArticle

eroticism
collective consciousness
sexuality
experience
Protagonist

Activities 2008 2019

'Il fine secolo female spectator: Methodological Approaches, Sources, and Pitfalls'

Katharine Mitchell (Speaker)
Jun 2019

Activity: Talk or presentation typesInvited talk

Graduate Conference at the Scuola Normale, Pisa

Katharine Mitchell (Participant)
10 Oct 201814 Oct 2018

Activity: Participating in or organising an event typesKey-note speaker and plenary lectures at conferences